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This spring I picked up the job of monitor engineer for Brendan Perry and have been touring extensively with him. I also worked with Spitalfields Music on their interactive Xenakis Pavilion project, recording and mixing music written and performed by children in collobaration with a group of professional musicians.

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I became a sound engineer because of my love of music and live performance. There is nothing more satisfying than being part a great show and watching the chemistry between an artist and their audience. This profession provides me with the perfect balance of people, music and technology.

I have been providing professional sound engineering services to the live music and performance arts industry since 1999. My career is a mixture of touring as a front-of-house and monitor engineer, and working as an in-house technician. As a natural extension to touring, I provide tour management and production management services.

I also run a well-equipped studio facility providing recording, editing, mixing and mastering services. Some of this equipment is taken on the road to enhance live production and to record live shows.

I have earned the reputation as a reliable, personable and capable sound engineer, and am respected by the artists I work with for the professionalism, care and enthusiasm I bring to my work.